THE AIMED MOVE

These rooms teach the concept behind each tool, so a control stops being a mystery box and becomes a decision. This one opens with the habit the whole run is built on — correcting a picture with a few aimed moves instead of hunting for the right one — and introduces the bench's move count and its par. Then two sessions on the idea that makes a color console legible: color has an address, and one curve can move every pixel living at it.